537538539540541542543544545546547548
Queering Genesis through Punc Arkaeology

This exhibition represents a new direction for shamanistic artist, Michael Dudeck
More than merely displaying art, the collaboration explores how the exhibition form
—its language, visitor participation and design—becomes a valuable tool 
for an artist
to continue the creative process. With this exhibition, Dudeck and Bruno question
objects’ 
identity, and therefore, challenge the exhibition as authority. “In the museum,
information is presented as 
fact, even though often it is not,” says artist, Michael Dudeck.
Dudeck’s methodology of Punc Arkaeology 
creates a framework for viewing objects
in new ways. “Punc Arkæology is the term for Dudeck’s effort to 
move beyond such
literal definitions, to dig deeper into what we expect and desire from objects in our 
lives,
and to create works of art that get viewers to think about what is materialized and left 

unmaterialized,” says Daniel Larkin of Hyperallergic. Dudeck starts from the beginning
of narrative–our 
Western story of creation–questioning assumptions about gender, desire,
and the identity of G-d. Guided 
by the exhibition, we are opened slowly to alternate
viewings of the creation of Man. Using Dudeck’s 
arsenal of performance, drawing,
sculpture, photography, and academic research, we are invited to a 
new experience
of viewing these mediums, and therefore, a queering of the Museum itself. The audience 

completes the exhibition by participating in Punc Arkaeology, through an invitation
to interact with curated 
objects and to make their own artworks.

Michael Dudeck was Spring 2014 Exhibitor-in-Residence at Freeman Space.

View short interviews recorded during the residency. 

Interview #1

Interview #2

Interview #3

Interview #4

 
445444446447459450449451453454452455465456457458
jill, why do you build huts?

A support exhibition for Jill Sigman, a multi-disciplinary artist working in performance and installation,
in the context of Hut #7, the seventh in a two-year series of huts built from local trash, found and
re-purposed materials called The Hut Project. Each hut is at the same time a structure, a sculpture,
and an emergency preparedness kit in which themes of sustainability, shelter, real estate, and apocalypse
intersect. Our exhibition gives context to the installation by exploring the previous six huts in The Hut Project
series. The concept of reuse is central to the design of the exhibit. Playing with the materials that have
been used in previous huts, the design forms a “skin” within the space, drawing the exhibit off the walls
and creating an environment that envelops visitors. The environment makes use of some of the materials
that formed previous huts or everyday materials, for example, highlights of ace bandages, caution tape,
or plant material to draw attention to information points within the exhibit.

For a talk between the exhibition team, the artist and research consultants, click here. 

Talking about more than a hut through the lens of art from BRUNO on Vimeo.

 

 

 

 
255240253247251272237434435436437438439
Christie's

Freelance design work at Christie's, an art business and a fine arts
auction house located in Rockefeller Center. Included are the logo
for Forever Christie's brand in China, exhibition signage for various
exhibitions (including the collection of Robert Shapazian mentioned
in New York Times' Fall auction overview), and print work examples
from the International Highlights catalogue.

 
298323293314326349324329304317341344
About Face

“About Face” exhibition was presented by No Longer Empty, a non-profit that orchestrates public art exhibitions in vacated storefronts and properties. The project involved artwork labels, wall text, web and print invites, storefront graphics, and print collateral. In addition, No Longer Empty required a new family of organizational materials: each directed to a different audience, but occasionally used together.

 
467468469470471472473
"The American Dream"

We assisted PLAYGROUND DETROIT with an outdoor installation by Cristin Richard. We co-ordinated the location in a public park in advance, found a backstage space for the performers and facilitated on-site problems with the delicate artwork. In addition to project management, we designed promotional and on-site collateral to educate the visitors about the artwork, the artist and PLAYGROUND DETROIT'S mission. 

 
462
Tim Soter

Promo for photographer Tim Soter.