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PLAYGROUND DETROIT

 PLAYGROUND DETROIT is a platform bridging the creative communities of Detroit and New York. PLAYGROUND DETROIT presents music and visual art series and their website provides artists, musicians and other visitors the opportunity to exchange ideas and dialogue about the future roles of their cities in the arts world. BRUNO provides full creative services, from identity to space planning to marketing and event co-ordination.

 
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Williamsburg House
This client sought a warm and modern, yet industrial residence, prompted by the purchase of a former mechanic's garage. A constant concern was the new building's response to its own charming street surroundings and larger changing neighborhood of Williamsburg. The heart of the house is the courtyard, surrounded by glass lites on three sides. Two sides are completely operable allowing the entire space to be permeable from living room through the rear of the house. See profile of the owner and house in New York Magazine. Photos courtesy of MESH Architectures.
 
 

The “experiment without precedent”—in the words of the school’s first Annual Report, of 1903—aimed to provide “girls who must go to work” at age 14 with a few employable skills. At the time of this rare and very early promotional documentary—made in 1911 and apparently unseen for 95 years—the school still subsisted entirely on private donations, and it seems likely that the film was used in its ongoing fund-raising campaigns.

Learn more about this school and the organization that made this film available for public viewing at the National Film Preservation Foundation

 
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Christie's
Freelance design work for the Exhibition design department of Christie's, an art business and a fine arts auction house located in Rockefeller Center. Included are the logo for Forever Christie's brand in China, exhibition signage for various exhibitions (including the collection of Robert Shapazian mentioned in New York Times' Fall auction overview), and print work examples from the International Highlights catalogue.
 
Interview with Maurice Sendak

A wonderful talk with Maurice Sendak by Tate Modern....

 
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My 2¢
A street fair stand that reuses a shipping container to promote local business growth. For visitors to the market, my 2¢ / a professional advice space is the co-working platform that delivers accessibility, quality and connection by encouraging openness and communication in its business approach and built environment. For small business owners: No matter what your profession is, you are not busy 100 percent of the time. You can dedicate that time to helping the community by donating your professional services. At the same time you are building your client roster. Who better to sell yourself than you, directly to your community! It is also a way to get people in the community over the hurdle of trying a new service and in the process, supporting local business.
 
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Call to Action!
This traveling exhibition–intended to travel before the 2010 Census–educates people about the census and encourages participation and action in your local community. The goals foster the ACLU’s mission for immigrant, voter and democratic rights. Set up as a traveling exhibition in public spaces around the country, the target audience is primarily, Hispanic lower income residents, secondarily, gay married couples, but all visitors are be welcome. The demographic focus is determined by previous under-counting in these target populations and their need for increased representation. This exhibition engages people in communal and personal experiences designed to entertain as well as to educate.
 
Martha Graham / Lamentation

I wrote my college application essay about this piece and I remember focusing on the conceal and reveal of the fabric. Now I find myself looking at the overpointed feet and noticing how difficult the music is to listen to. Even though I change, it's still a marvelous composition. 

 
Christmas Tree Memorials

A little project we did, basically memorials for christmas trees thrown onto the street for trash pickup. Every year they look so sad on the sidewalks, here's one last homage to their month of service for our holiday season.

 
 
Loie Fuller

In 1891 she went on tour with a melodrama called "Quack MD," playing a character who performed a skirt dance while under hypnosis. Fuller began experimenting with the effect the gas lighting had on her silk skirt and received special notice in the press. Her next road tour, in a show called "Uncle Celestine," featured this new version of the skirt dance. By emphasizing the body was transformed by the artfully moving silk.

One reviewer described the effect as "unique, ethereal, delicious...she emerges from darkness, her airy evolutions now tinted blue and purple and crimson, and again the audience...insists upon seeing her pretty piquant face before they can believe that the lovely apparition is really a woman."

Fuller was an inventor and stage craft innovator who held many patents for stage lighting, including the first chemical mixes for gels and slides and the first use of luminescent salts to create lighting effects. She was also an early innovator in lighting design, and was the first to mix colors and explore new angles. Fuller was well respected in the French scientific community, where she was a close personal friend of Marie Curie and a member of the French Astronomical Society.

 
 
 

A few weeks ago, BRUNO went to a lecture by IDEO at the Bloomberg building. The lecture was a stimulating conversation about collaboration, process, egalitarian structures that make IDEO'S methodology of combining disciplines and iterative development totally successful. IDEO specifically shared how their process defines an innovative approach to cultivating, supporting, serving entrepreneurial clients.

But the best part for me was that EVERYONE in the room (over a hundred people) had this coffee cup, available for free—along with an open snack bar—in the Bloomberg lobby. In case you can't decipher the copy, it says:
 
PROCESS LESS, PROFIT MORE 
 
Ahh Bloomberg, that's gotta you far eh? Irony wins.